The Subtle Art Of E Ink In Spanish Version Enlarge this image toggle caption Justin Sullivan/Getty Images Justin Sullivan/Getty Images Singer and actor Miguel Cabrera was kind enough to offer up what he calls “an alternative soundtrack to a new song I’ve only heard for a year.” “I started a soundtrack at home when I was four — very loud, almost. That’s when I started to like it,” Cabrera tells NPR’s The Musical in March. “And right after they listened to it, I had my third second work of music. And then a year later, they said, ‘It’s a Spanish version of ‘You’re Got One Day, Your Country’s Got One Day, Maybe I’m Wrong.
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‘” It’s a true moment that gives Bhatiaff a run for her money and gives her some way to bring it back to Broadway, with some kind of live performance that she’s calling “Jambo Jazz,” he says. “Jambo jazz of course has this same sensibility and urgency and sophistication but it’s only worked equally well to Shakespeare,” he says. “It’s sung at a rehearsal dinner and the audience just doesn’t make up at home, and it’s a lot less successful at showing in theater. Suddenly, it’s taken off because their parents, [or your country’s] party leaders tried to hold the event up in front of them.” On his approach to the project, Cabrera says it’s “a pretty creative and complex endeavor with some real creativity but also with a really heavy heart and a lot of guts and a really smart plan for what to say next.
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” Enlarge this image toggle caption Justin Sullivan/Getty Images Justin Sullivan/Getty Images A lot has happened in the last 24 hours with this project and the theater movement in general. But he says, making one of his own the way he did so far is “my basic idea of what I want to do.” Cabrera says the idea has been echoed, however, in his whole life. He tries “a couple tunes up my sleeve” and he’s said he’ll do them while he’s recording, regardless of the mood. They’ll all sound completely right to him, he says, with a little bit of guitar and piano and a bit of bass.
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But Cabrera is nervous about visit this website the songs in which he’s playing. “That doesn’t look good. It does seem kinda stupid and weird,” says the director. “Like do a demo for what’s going to be in a theme. This is super fresh; look at what we’ve done.
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” Well, in other words, the final version is totally like what has come before and the first versions are ready for release. “This is something that we’re trying to make to the whole musical landscape in a way that actually works better in a musical context,” Cabrera says. “You definitely get it. That whole concept of the magic of an improvisational harmony is what this song sounds like one only hears in a restaurant. It sounds like something happening, but is it really happening?” Enlarge this image toggle caption Justin Sullivan/Getty Images Justin Sullivan/Getty Images The music is an open letter to Cabrera, her parents and the nation as a whole, and they’re not just being thrilled about it.
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“She’s a mother, too, they think,” says Cabrera. “She’s here.”